- Digital Programs
Francesco Spagnolo, a multidisciplinary scholar focusing on Jewish studies, music and digital media, is the Curator of The Magnes Collection of Jewish Art and Life and a Lecturer in the Department of Music at the University of California, Berkeley, as well as a host for the cultural programs of Italian National Radio (RAI) in Rome. At UC Berkeley, he is also an affiliated faculty with the Berkeley Center for the Study of Religion, and serves on the Digital Humanities Council.
Intersecting textual, visual and musical cultures, Francesco actively contributes to academic, cultural heritage and archival institutions, as well as live and electronic media, in Europe, Israel and the United States. A former lecturer at the University of Milan and at the University of California at Santa Cruz, he is frequently invited to lecture at academic institutions worldwide, publishes on a variety of subjects, and curates exhibitions and digital programs.
- PhD, The Hebrew University of Jerusalem, 2007
- Laurea, Università degli Studi di Milano, Italy, 1994
- B.A. Conservatorio di Musica "G. Verdi"di Milano, Italy, 1986
UC Berkeley Courses
- Music 74 & 139: Music in Israel
- Music 179: Performing Texts: Music, Liturgy and Jewish Life
- Music 74 & 139: Jewish Nightlife
- Gourmet Ghettos. Modern Food Rituals (Case Study No. 5)
- Literary Minds: Soviet Jewish Writers Portrayed by Matvey Vaisbert
- Saved by The Bay: The Intellectual Migration from Fascist Europe to UC Berkeley
- Global India: Kerala, Israel, Berkeley (Case Study No. 4)
- Holy Land, California. Prints by Albert Garvey
- Case Study No. 3 | Sound Objects
- Reborn: Posters from the European Jewish Cultural Renaissance
- Case Study No. 2 | The Inventory Project
- Dissolving Localities | Berkeley Jerusalem
Francesco has taught at the University of Milan (Philosophy dept.) and at UC Santa Cruz (Music and Literature depts.), and has lectured and participated in national and international conferences on music, Jewish studies and digital media at academic institutions worldwide, including the universities of Milan, Rome, Padua, the EHESS in Paris, the Hebrew University and Bar-Ilan University, the University of Virgina, Indiana University, the University of California at Davis, Santa Cruz, UCLA, Ohio State University, NYU, the National Library of Israel, the Internet Archive and Creative Commons.
In 1995-1997, Francesco coordinated the activities of Yuval France, a center for the study of Jewish Music at the Alliance Israèlite Universelle in Paris. Upon returning to Italy in 1997, he established "Yuval Italia," the first Jewish music archives in Italy: initially housed at the Rabbinical School of Milan, the archives were recently transferred to the Italian Center of Jewish Documentation (CDEC). Between 1998 and 2002, he was responsible for the preservation and publication of Italian Jewish sound recordings at the Ethnomusicology Archives of the National Music Academy in Rome and the National Sound Archives in Jerusalem.
As a radio producer and host, Francesco first produced a weekly program on Jewish music and culture at Radiopopolare, Milan (1997-2002), and later became an anchor for the daily cultural program, Radiotre Suite, broadcast live by RAI (Italian National Radio) from Rome (2001-2003, and again since 2012). In 2002-2003, he reported weekly from Jerusalem for RAI Radiotre. Francesco has also produced and appeared in concerts at music and theater festivals in Italy and the United States.
Francesco's Dissertation work, The Musical Traditions of the Jews in Piedmont (Italy) (Hebrew University, 2007), based on a multi-disciplinary methodology that combines history, musicology, and ethnographic fieldwork, provided a vivid portrait of synagogue life in Italy during the 18th-20th centuries by intersecting written, oral and archival sources, as well as countless news items from the Italian Jewish press. Through musical lenses, this work addressed synagogue life in all its multifaceted components: liturgy and text, social, intergenerational dynamics and gender roles, aesthetics and architecture, and the politics of identity.
Francesco's publications include the Italian edition of Imre Toth's Palimpsest (1998 and 2003), the audio-anthology Italian Jewish Musical Traditions (Hebrew University, 2001 and 2006), two books (Il ballo del camaleonte, 1999; Estetica delle situazioni estreme 2000), and a host of articles and essays on philosophy, music, film and literature in academic journals, books and encyclopedias, including Rivista Italiana di Musicologia, the Encyclopedia Judaica, and the Encyclopedia of Jews in the Islamic World. He maintains Bella e perduta, a bi-lingual weblog on Italian Jewish music and culture.
In 2007, Francesco became the Director of Research and Collections at the Judah L. Magnes Museum in Berkeley, California, where he created an online integrated (Archive-Library-Museum) database, and several innovative digital programs, including Jewish Digital Narratives, a project involving the online dissemination of cultural heritage collections, storytelling and archiving that combines website and database approaches with social media tools. This work was instrumental in the creation of The Magnes Collection of Jewish Art and Life, at the University of California, Berkeley, where since 2010 he is Curator of Collections.
Francesco received a BA (equivalent) in Music from the Conservatory of Milan (1986), a Laurea cum laude in Philosophy from the University of Milan with a dissertation on the narrative uses of quotations (1994), and a PhD in Musicology from the Hebrew University of Jerusalem with a dissertation on the music and synagogue life of the Jews in Italy (2007).